Let's Talk About Metadata
David Hunte
Catalogue & Label Services · Mayfair, London
We audit, clean, and verify catalogue data for labels, estates, and investors. Clean data means better rates, faster onboarding, fewer disputes, and an asset worth materially more.
Or estimate your catalogue's uncollected royalties below →Step One For Every Client
Tell us about your catalogue and we will show you what broken metadata, missing registrations, and unclaimed income are costing it - before you commit to anything.
Who We Serve
Broken metadata suppresses catalogue income and catalogue value. Whether you run the label, act for the estate, or price the deal, the fix is the same: audit, clean, verify.
For Record Labels
Clean, verified metadata means better rates, faster platform onboarding, and fewer disputes with societies and distributors. We do your admin and clean your data, which gives you a return on assets you already control.
Metadata administration for labels →For Estate & Rights Lawyers
Most estates hold catalogues with unverified metadata and royalties accruing to no one. Cleaning and verifying the data protects the beneficiaries and leaves the asset under management worth materially more.
Label services for music estates →For Investors & Acquirers
Registration coverage, metadata health, and uncollected royalties quantified, pre or post acquisition. Catalogue due diligence that surfaces the gaps a data room will not show you.
Catalogue due diligence checklist →As Seen On
David Hunte
The Vana Room Podcast
Africa Music Law Show
The Gap
Your distributor:
What nobody is doing (unless you have CGM):
Your distributor's job ends at delivery. Everything in the first column generates one type of royalty. Everything in the second generates four more. If your catalogue has only ever had a distributor, it has been collecting a fraction of what it earns, and that gap is priced into the asset.
See exactly what your catalogue is missing →Catalogue Gap Calculator
Three questions, no email required. Get an indicative range of the royalties a catalogue like yours typically leaves uncollected each year.
Answer the three questions and we will estimate the annual royalties a catalogue of this profile typically leaves uncollected.
Catalogue Management Services
Backed by 18+ years working inside the industry, our music label services cover every layer of administrative infrastructure a label, estate, or catalogue owner needs. Metadata administration is the foundation; distribution and publishing admin compound on top of clean data. See all our music label services →
The foundation of everything else. We audit every release in your catalogue the same way Universal Music audits theirs. Identifier codes, platform formatting, database listings, credit accuracy. If something is wrong, we find it, fix it, and keep it verified.
Learn more →Royalty collection across performance, mechanical, sync, and international channels for the catalogues we manage. Delivered through our partnership with SESAC. 15% commission. No upfront fees. Owners keep 100% of their rights.
Learn more →Managed delivery of your catalogue to 150+ platforms worldwide. But more importantly, every release delivered with correct metadata so royalties get matched properly. Distribution is logistics. We make sure the data behind the logistics is right.
Learn more →Trusted By
Labels, studios, broadcasters, and institutions we have worked with


















Catalogues We Manage
Free Tools
Free browser-based due-diligence tools for rights holders - validate identifier codes, quantify uncollected royalties, and audit distribution coverage before you commission anything. See all 7 free tools →
Publishing
Ten yes/no questions that diagnose your catalog metadata and collection setup. Get a severity rating and the exact failure points costing you royalties.
Try it free →Publishing
Estimate how much royalty income you may be leaving uncollected across PRS, MCPS, PPL, and international collection sources. Annual GBP estimate, no signup.
Try it free →Metadata
Validate and decode any ISRC code instantly. Check format against ISO 3901 and identify every component - country code, registrant, year, and designation.
Try it free →Distribution
See which streaming platforms your current distributor covers and which you are missing - across 30+ DSPs, social stores, and emerging market platforms.
Try it free →Who We Are
Code Group Music is a specialist music label services company dedicated entirely to catalogue owners and rights holders. We believe that every catalog deserves institutional-grade infrastructure, the same rigour applied to the world's largest labels, applied to yours.
We are not a major label. We are not a distributor with a dashboard and no phone number. We are a small, expert team that takes a limited number of clients and gives each one our full attention.
Code Group Music LtdCommon Questions
We work with rights holders who own or manage catalogues of musical assets: record labels, publishers, music estates and their lawyers, and catalogue investors. If you hold rights that earn royalties, we make sure the data behind them is clean, verified, and collecting everything it should. Independent artists are served by our sister platform, VERA Music, at veramusic.ai.
We check every release in your catalogue against the registrations, identifiers, and databases that route royalties: ISRC and ISWC codes, writer and performer splits, PRO and mechanical society registrations, neighbouring rights, and platform-level metadata. You receive a clear report of what is broken, what it is costing, and what fixing it is worth. The starting point is the free Catalog Assessment.
Broken metadata suppresses both income and asset value. Clean, verified data improves collection rates, reduces disputes with societies and distributors, speeds up platform onboarding, and makes revenue provable to a buyer or valuer. The result is an asset worth materially more. We show you the uplift for your specific catalogue in the audit rather than quoting a generic figure.
Yes. Estates frequently inherit catalogues with unverified metadata, lapsed society memberships, and royalties accruing to no one. We audit the catalogue, transfer and correct registrations, and put ongoing administration in place so the estate's beneficiaries receive what the asset actually earns. For lawyers and executors this is a duty-of-care question as much as a commercial one.
Yes. Before or after a deal we quantify registration coverage, metadata health, and uncollected royalties across the target catalogue, the gaps a data room will not show you. Buyers use the audit to price risk and negotiate; sellers use a cleaned, verified catalogue to defend valuation. Start with the free Catalog Assessment and tell us about the transaction.
Publishing administration and digital distribution are commission based: we retain 15% of collected royalties, so we only earn when you earn. Metadata administration is priced on application, scoped to the size and state of your catalogue. The free Catalog Assessment is the fastest way to get a specific answer for your situation.
Incorrect or missing metadata is one of the most common reasons royalties go unpaid. If your tracks are not correctly identified with ISRC codes, writer splits, and label information, collection societies and platforms cannot route your money to you. We make sure every release is unambiguously attributed.
Publishing administration is delivered through CGM's partnership with SESAC, a major performing rights organisation. CGM prepares and submits your catalog metadata; SESAC registers your works with collection societies including PRS, ASCAP, SOCAN, APRA, and international equivalents. CGM then actively pursues royalty collection across performance, mechanical, synchronisation, and digital licensing channels. Most rights holders leave substantial money uncollected. We recover it.
Yes. Absolute ownership remains with you. We administer your rights on your behalf. We never acquire a share of your copyright or publishing. This is a service relationship, not a record deal. For publishing administration and digital distribution, CGM retains 15% of collected royalties - CGM only earns when you earn. Metadata Administration is a separate service priced on application. In all cases, 100% of copyright and creative rights remain yours.
Distribution is logistics - getting a catalogue onto platforms. Administration is everything that happens after delivery: registering the works with collection societies, issuing identifier codes, syncing metadata, and collecting the royalties that those registrations generate. A distributor handles delivery. They do not handle administration. That's a completely separate discipline.
No. Code Group Music is a music label services provider, not a record label. We do not sign artists, acquire masters, or take any ownership stake in your music. We provide the administrative and rights management services that a label would normally provide internally - publishing administration, digital distribution, and metadata management - as a service you commission. You retain 100% of your rights.
Not automatically. ISRC codes assigned by a distributor are often registered under the distributor's account, not the rights holder's. If the catalogue moves away from that distributor, the codes may not move with it - which means the streaming history and royalty matching history goes too. This is a standard due diligence check in any catalogue transaction. CGM issues ISRC codes that are registered to the catalogue owner from day one.
Yes, within limits. Collection societies hold unclaimed royalties for a period - typically 3 years before they are redistributed. We can audit the catalogue, identify gaps in its historical registrations, and file retrospective claims where the window is still open. How much is recoverable depends on catalogue size and how long the registration gaps have existed.
After approximately 3 years, most collection societies redistribute unclaimed royalties to their registered members - which means other rights holders receive money that should have been yours. This is why registration timing matters. Every month your works are unregistered is a month the clock is running on potential claims you can no longer make.
The best starting point is our free Catalog Assessment above. Fill it in (it takes under five minutes) and a member of our team will review your situation personally and reach back with honest, specific recommendations. No obligation.
Still have questions? We are happy to talk.
Get in TouchGet in Touch
The fastest way to start is by completing the free Catalog Assessment above. Or reach us directly — we respond to every enquiry personally.
management@codegroupmusic.co.uk
Book a Call
Schedule time with our team
Address
Mayfair, London, United KingdomThe Big Music Business Playlist
Spotify →“We take a limited number of clients. We give each one our full attention.”